This entry is part of a series, Totems and Symbols» 
My Original Design
This is the real beginning of the background story on the design of my tattoo, for those interested in the long wannabe epic essays that I tend to write. I thought that a very “Native story style” title would be good, since I tend to write like I talk, and I talk like an Indian. I’ve broken the story up, however, into a series of (fairly) short posts, so that people will actually feel they can digest them.
The story is an in-depth explanation of the primary– at least the most obvious– incongruity of my tattoo design, which is the tail. Most people, seeing this will probably think something along the lines of: “What he hell’s up with the Celtic shit in the tail?” That’s not surprising, and I spent months thinking about the fact that I’m going to be faced with that question for the rest of my natural life (emphasis, emphasis).
Part of the reason for this series is to describe just that– formulate the response at length, in essay format, as a method to formulate the more concise response necessary in conversation. This is post as preparation.
The Original Design

Raven highlighted
As you can see in the image above, my original design didn’t have this European element. That design was, overall, more “traditional.” At least it was in the sense that it might more closely resemble what people would expect to see in NW tribal art. That original version still had Raven in Salmon’s body, as my current tattoo does. Raven and Salmon are so intimately linked that they are very frequently seen in this manner. However, I also originally had Wolf/Coyote in Salmon’s body as well.

Wolf highlighted
I love, and am very proud of, that design, but it just wouldn’t fit on my arm. My goal, in addition to that discussed in the previous post, was to have Salmon’s tail below my elbow so that it moved when I moved my arm– body art is so nice when it interacts with the body. Because the way the tail was angled, this design would make Salmon have to sit essentially upside down on my arm. The tattoo artist and I decided that Salmon’s tail had to be bending upward, rather than downward, for it to fit well on my arm. So I went back to the drawing board with the intention of recreating exactly this design with an upward bending tail.
I didn’t recreate the original design. But what I did was so much deeper and more meaningful than I ever thought it would be.
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